TY - JOUR
AU - Barham, Jeremy
AB - autographs, copies, performances, duration, could flesh out the contribution made by this editions, literature, and discography. The unique composer to musical life and to layout is beautifully clear with enough space European modernism of the twentieth century. between sections so that they can be quickly JOHN TYRRELL scanned for the information required. The Cardiff University section on autographs is particularly impressive. doi:10.1093/ml/gcs022 Five are listed here, each with a full description of the manuscript (location, binding, numbers of folios/pages, staves per page, ink or pencil, Seeing Mahler: Music and the Language of headings, dates). Eleven items are listed under Antisemitism in Fin-de Siecle Vienna.By K. M. Literature with author^date references leading Knittel. pp. xiiiþ 201. (Ashgate, Farnham to the 200-item bibliography. Where necessary, and Burlington, Vt., 2010, »55. ISBN 978- prose explanations add extra details (here, 0-7546-6372-0.) for instance, under scoring, copies, and per- formance). In the operas there are additional K. M. Knittel surveys a range of Austro- sections for libretto, setting, and cast. In vocal German reviews, cartoons, and reminiscences works there is a section on text (however, of Mahler’s music between the years 1899 and movement titles and text incipits come, unset- 1912 (and of Richard 
TI - Seeing Mahler: Music and the Language of Antisemitism in Fin-de Sicle Vienna. By K. M. Knittel.
JO - Music and Letters
DO - 10.1093/ml/gcs010
DA - 2012-05-27
UR - https://www.deepdyve.com/lp/oxford-university-press/seeing-mahler-music-and-the-language-of-antisemitism-in-fin-de-sicle-m49cSHHtMt
SP - 255
EP - 257
VL - 93
IS - 2
DP - DeepDyve
ER -