TY - JOUR
AU - ROE, STEPHEN
AB - EVENTS minor BWV562, composed much earlier, a fair copy of which appears in the same manuscript. (Bach's last auto- graph, that of The Art of Fugue, is in the Deutsche Staatsbibliothek. East Berlin). In between were examples of practi- cally all the genres in which Bach composed. Sacred and secular cantatas from Weimar (Weinen. Klagen. Sorgen. Zagen, BWV12). Cothen (Du wahrer Gott und Davids Sohn, BWV23) and Leipzig (including Nun komm derHeiden Heiland, BWV62. lch will den Kreuzstab gerne tragen, BWV56 and the Peasant Cantata, BWV212); the B minor Mass, the Easter and Christmas Oratorios, instrumental parts for the 5f Matthew Passion in the hands of Bach and others dating from 1736 and a partially autograph full score of the StJohn Passion written out Mr Cox's Museum. 1772, by Francesco Bartolozzi (1727-1815); see p.571 cl739. as well as concertos, organ and violin music. view of the friability of the paper (with The exhibition endeavoured to show Of all the events marking the tercen- frequent handling notes at the edge of many aspects of Bach's creative pro- tenary of the birth of J. S. Bach, few can pages are liable to flake away) and the cess. Few independent sketches of 
TI - Bach in Berlin
JO - Early Music
DO - 10.1093/em/13.4.611
DA - 1985-11-01
UR - https://www.deepdyve.com/lp/oxford-university-press/bach-in-berlin-boVl7iTiJ3
SP - 611
EP - 612
VL - 13
IS - 4
DP - DeepDyve
ER -