TY - JOUR
AU - Thomas, Troy
AB - Jim Jarmuschs 1995 film Dead Man goes beyond merely quoting some lines from the poet and artist William Blake (17571827) and is in fact a screen adaptation with a narrative, characters, themes, and symbols largely based on his literary works. The film is an allegory and an anti-Western that richly represents Blakes ideas; indeed, the film can only truly be understood if its complex relationship to Blakes works is fully appreciated. Jarmusch chose as his themes a concern with death and quest for spiritual transcendence, the innocence of some men and the wickedness of others, and the evils of the industrial age, all subjects that preoccupied William Blake. The focus here is on the two principal characters in the film, the accountant William Blake and the Native American Nobody, who have been neglected in the critical literature in their relation to Blakes ideas. Jarmuschs film catches the spirit of Blakes irony and his negative views of matter, materialism, and human existence on earth, and touches on his positive, highly developed, and personal philosophy of religion. In spite of its postmodern nihilism, the film succeeds in capturing some of the affirmative aspects of Blakes thought, chiefly through Nobody, the true hero of the film. The central tenet of Blake, that each individual should strive to live in his imagination as a poet rather than merely to accept passively the limitations of the physical world, is exemplified in Nobody, who is committed to his mission of sending the slowly dying William Blake off to the spirit world.
TI - William Blake and Dead Man
JF - Adaptation
DO - 10.1093/adaptation/apr004
DA - 2012-03-24
UR - https://www.deepdyve.com/lp/oxford-university-press/william-blake-and-dead-man-XFdDAesCjd
SP - 57
EP - 87
VL - 5
IS - 1
DP - DeepDyve
ER -