TY - JOUR
AU - SANDINO, LINDA
AB - REVIEWS in the development of jewelry in the clear. Hence, Gijs Bakker's training as Jewelry in Europe and America: last fifty years' (p. 7). As one of the an industrial designer is glossed over, New Times, New Thinking founders of the Electrum Gallery in his choice of industrial materials seen RALPH TURNER. Thames & Hudson, the 1970s, an d later as Head of Exhibi- as 'an onslaught against elitism and 1996. 144 pp., 222 illus., 157 col. tions at the Crafts Council, Turner orthodoxy' (p. 22) (though the link £14.95 cloth, ISBN 0500 278 792. himself must be seen as 'seminal' in with a late 1960s counter-culture is Jewelry of Our Time: Art, promoting the status of 'studio' jew- also underplayed). Bakker's work of Ornament and Obsession ellery, 'a term now frequently used to the late 1960s (and his use of lami- distinguish the work of artists from nated photographs) needs to be seen HELEN W. DRUTT ENGLISH an d PETER work produced purely for commercial in the context of the structural rela- DORMER. Thames & Hudson, 1995. reasons' (p. 7). It is a sign of the tionship between craft skills and 352 pp., 586 illus., 458 col. £32.00 
TI - Jewelry in Europe and America: New Times, New Thinking • Jewelry of Our Time: Art, Ornament and Obsession • Jewelry: From Antiquity to the Present
JO - Journal of Design History
DO - 10.1093/jdh/10.1.93
DA - 1997-01-01
UR - https://www.deepdyve.com/lp/oxford-university-press/jewelry-in-europe-and-america-new-times-new-thinking-jewelry-of-our-Qly2cBOMCb
SP - 93
EP - 95
VL - 10
IS - 1
DP - DeepDyve
ER -