TY - JOUR
AU1 - Campbell, Carey
AB - Carey Campbell Should the soloist play during the tuttis of Mozart’s Clarinet Concerto? hat did late 18th-century woodwind con- be used to demonstrate the flexibility and ubiquity Wcerto soloists do during orchestral tuttis? of soloist tutti participation. Finally, I will broaden Did they wait in silence for the solos, as is often the the scope of the discussion further and consider practice today, or did Mozart and his contempo- clarinet concertos by some other composers from raries have something else in mind? It has generally the period. been accepted that the soloist participated during the tuttis of Mozart’s keyboard concertos by pro- The sources for k 622 viding basso continuo. In his violin concertos, Mozart entered this clarinet concerto into his Mozart seems to have expected the soloist to dou- personal thematic catalogue (Verzeichnüß) in ble the first violin part during tuttis, thereby serving 1791, between the listings for Die Zauberflöte double-duty as soloist proper and orchestral mem- (28 September) and Eine kleine Freymaurer-Kantate ber/leader. Such an expectation—by no means lim- (15 November). The concerto’s undated entry reads: ited to Mozart—raises intriguing questions about ‘Ein konzerte für die Klarinette. für Hr: Stadler den how 18th-century composers may have regarded 
TI - Should the soloist play during the tuttis of Mozart's Clarinet Concerto?
JF - Early Music
DO - 10.1093/em/caq065
DA - 2010-08-20
UR - https://www.deepdyve.com/lp/oxford-university-press/should-the-soloist-play-during-the-tuttis-of-mozart-s-clarinet-KkQA3WPfTr
SP - 423
EP - 436
VL - 38
IS - 3
DP - DeepDyve
ER -