TY - JOUR
AB - 248 The Journal of American History June 2016 systemic and relational theories into reform the issue of racism to the sidelines by d -epict agendas that seemed realistic in the rightwar ind g white, rather than black, victims of Ku moving postwar political context” prov-ed inKlux Klan violence. Yet, as Scott explains, creasingly difficult during the 1950s (p. 181). even when censors attempted to repres -s im ages of black equality, or film producers m - is Gordon skillfully dissects the work of schol - directed blame for black oppression, “H - olly ars and activists in each of the five institutions wood obliquely revealed these wrongs quite she examines in detail. In doing so, she un - frequently in its films” (p. 3). covers crucial aberrations from the dominance Scott’s study is innovative in its method - of racial individualism. She shines new light ology. Rather than assign the era’s racial im - on a substantial group of researchers, a faction agery to individual directors or agencies, she much larger than previously thought, who analyzes both the top-down and bottom-up consistently saw the limitations of explaining factors that generated the era’s bizarr-e depic racial injustice as a problem 
TI - Cinema Civil Rights: Regulation, Repression, and Race in the Classical Hollywood Era
JF - The Journal of American History
DO - 10.1093/jahist/jaw123
DA - 2016-06-01
UR - https://www.deepdyve.com/lp/oxford-university-press/cinema-civil-rights-regulation-repression-and-race-in-the-classical-FAVOoPDjm7
SP - 248
EP - 249
VL - 103
IS - 1
DP - DeepDyve
ER -