TY - JOUR
AU - Dodd, Douglas W
AB - Book Reviews • 165 works such as Kiowa author N. Scott Momaday’s House Made of Dawn and Laguna Pueblo author Leslie Marmon Silko’s Ceremony. In these novels, their respective protagonists ae tt mpt to fit into Euro-American society and instead find healing only through returning to their rural tribal lands and traditional ways. W hile there is a need for connection to sacred sites and tradi- tional practices, it is too easy to use this as a binary choice to be either traditional or modern, urban or reservation. It takes away any sense of nuance to these human situations. Eschewing this type of narrative is author Lindsey Claire Smith, who works to change the preconceived notions about urban Native presence in American history and, specifically, within Native American literature. Her work Urban Homelands: Writing the Native City from Oklahoma, focuses on three major American cities that have had a major impact from Native people: New Orleans, Louisiana; Tulsa, Oklahoma; and Santa Fe, New Mexico. The tone is set immediately with the cover artwork from Kiowa and Choctaw artist Steven Paul Judd, with “Still Here” spray painted on a wall. From there, Smith states in Chapter 1, “Beyond Monuments,” the 
TI - Forest Under Siege: The Story of Old Growth After Gifford Pinchot. By Rand Schenck
JO - Western Historical Quarterly
DO - 10.1093/whq/whaf024
DA - 2025-02-11
UR - https://www.deepdyve.com/lp/oxford-university-press/forest-under-siege-the-story-of-old-growth-after-gifford-pinchot-by-ARhvugPeGP
SP - 165
EP - 166
VL - 56
IS - 2
DP - DeepDyve
ER -