TY - JOUR
AB - In 2009 Screen made the decision to switch to the 〈http://www.oxfordjournals.org/access_purchase/ ScholarOne Manuscripts online submission rights_permissions.html〉 system. Many readers will already be familiar with Notes and references, which should be kept to a this method, but for those who are not, it will in minimum, should be on an automatic numbering essence mean that manuscripts are submitted system. Style for citations of written sources is as through the ScholarOne Manuscripts site, and follows: thereafter all communications between editorial 1. Christian Metz, Psychoanalysis and Cinema: the office, author and peer reviewers will be Imaginary Signifier, trans. Celia Britton et al. channelled through, and logged by, the system. Our (London: Macmillan, 1982). intention, in moving to this new system, is to 2. Ginette Vincendeau, ‘Melodramatic realism: on improve efficiency and clarity in all aspects of the some French women’s films in the 1930s’, Screen, process: providing, and encouraging from others, a vol. 30, no. 3 (1989), pp. 51–65. swifter response; creating an easily accessible 3. Monika Treut, ‘Female misbehaviour’, in Laura history of a manuscript’s progress; reducing the Pietrapaolo and Ada Testaferri (eds), Feminisms in need for photocopying and printing. the Cinema (Bloomington and Indianapolis, Authors are guided through the submission 
TI - Notes to Contributors
JO - Screen
DO - 10.1093/screen/hjt019
DA - 2013-06-01
UR - https://www.deepdyve.com/lp/oxford-university-press/notes-to-contributors-4DW8QERGpc
SP - 304
EP - 304
VL - 54
IS - 2
DP - DeepDyve
ER -