TY - JOUR
AU1 - Green, Roger Lancelyn
AB - NOTES AND OBSERVATIONS new and experimental art, though examples of grateful for a means of fostering their subject it are not, and never should be, excluded. The which neither music nor letters possesses. On Academy gives sensible and not exotic pleasure that ground alone they might restrain their to a sensible and not exotic public, and en- rage and qualify their scorn. courages the work of sensible and not exotic It is perhaps not out of place for this plea to artists. Is it too much to ask that critics should be entered in the pages of English, for the very judge it with sensible and not exotic eyes? reason that it lays no claim to be a professional English art is fortunate in having the Academy connoisseur of pictures. It has neither axe to to give it an annual opportunity of display, and grind nor pretensions to rebuke. Its only con- English music and literature would be lucky if cern is to appreciate all thai is healthy and they possessed a similar institution. The art genuine and which contributes to beauty in the critics who adopt a scathing attitude are un- life of England. „ ~ „ Lr. 
TI - RUDYARD KIPLING IN LONDON: 1889–1891
JF - English
DO - 10.1093/english/6.32.54
DA - 1946-07-01
UR - https://www.deepdyve.com/lp/oxford-university-press/rudyard-kipling-in-london-1889-1891-07mZ1LAvnY
SP - 54
EP - 58
VL - 6
IS - 32
DP - DeepDyve
ER -