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The Sky in an Ant’s Egg: Ġhālib’s Structural Poetics

The Sky in an Ant’s Egg: Ġhālib’s Structural Poetics AbstractSome of the most important structural patterns and devices used in individual ghazal verses by the famous poet Mirza Asadullah Khan ‘Ghalib’ are identified and analyzed; their literary effectiveness is illustrated with examples and discussion. In particular, the paper considers two such patterns. One set of verses have a ‘twist’ to them, such that the reader (or, ideally, hearer) is first misled or confused, then at the last possible moment is suddenly and almost explosively enlightened. Another set of verses create an inherently unresolvable ‘tangle’ of several possible meanings which cannot be either affirmed or rejected on any non-arbitrary grounds. The context-free independence of such small ghazal verses, together with their division into two formally distinct and performatively separated lines, makes for unusual poetic constraints and opportunities. The author has prepared an extensive commentarial website on the poetry of Ghalib and Mir. http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png Journal of Urdu Studies Brill

The Sky in an Ant’s Egg: Ġhālib’s Structural Poetics

Journal of Urdu Studies , Volume 1 (1): 14 – Jan 4, 2020

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Publisher
Brill
Copyright
Copyright © Koninklijke Brill NV, Leiden, The Netherlands
ISSN
2665-9042
eISSN
2665-9050
DOI
10.1163/26659050-12340006
Publisher site
See Article on Publisher Site

Abstract

AbstractSome of the most important structural patterns and devices used in individual ghazal verses by the famous poet Mirza Asadullah Khan ‘Ghalib’ are identified and analyzed; their literary effectiveness is illustrated with examples and discussion. In particular, the paper considers two such patterns. One set of verses have a ‘twist’ to them, such that the reader (or, ideally, hearer) is first misled or confused, then at the last possible moment is suddenly and almost explosively enlightened. Another set of verses create an inherently unresolvable ‘tangle’ of several possible meanings which cannot be either affirmed or rejected on any non-arbitrary grounds. The context-free independence of such small ghazal verses, together with their division into two formally distinct and performatively separated lines, makes for unusual poetic constraints and opportunities. The author has prepared an extensive commentarial website on the poetry of Ghalib and Mir.

Journal

Journal of Urdu StudiesBrill

Published: Jan 4, 2020

There are no references for this article.