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LATIN I. MEDIEVAL LATIN By c. J. McDoNOUGH, Profissor of Classics, University of Toronto I. GENERAL Joseph SZQverffy, Secular Latin Lyrics and Minor Poetic Forms of the Middle Ages. A Historical Survey and Literary Repertory from the Tenth to the Late Fifteenth Century, vol. I, Concord, New Hampshire, Classical Folia Editions, 466 pp. includes a farrago of information on poets from St Gall up to Godfrey of Cambrai (I05Q-1107). P. Bourgain, 'Sur l'edition des textes litteraires latins medievaux', BEC, 150:5-49, begins with theoretical considerations, before facing the practical problems of transcription, presentation and the apparatus ofa text. P. Tordeur, 'Reflexions sur la rime', Latomus, 51 :315-28, examines the influence of classical Latin poetry on the development of rhyme in medieval poems. M. Schumacher, 'Der Biber - ein Asket? Zu einem metaphorischen Motiv aus Fabel und Physiologus', Euphorion, 86: 347- 53, reviews evidence in classical and patristic authors for the figure of the beaver as a symbol of asceticism. M. Lejbowicz, '''Computus''. Le nombre et Ie temps altimedievaux', Pris-Ma, 8: 3-29, traces the morphological and semantic stages of the word computus, before showing how it became a subject of general, not merely technical, interest in the tradition of medieval encyclopaedias.
The Year’s Work in Modern Language Studies – Brill
Published: Mar 13, 1993
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