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MEDIEVAL LATIN

MEDIEVAL LATIN LATIN I. MEDIEVAL LATIN By c. J. McDoNOUGH, Profissor of Classics, University of Toronto I. GENERAL Joseph SZQverffy, Secular Latin Lyrics and Minor Poetic Forms of the Middle Ages. A Historical Survey and Literary Repertory from the Tenth to the Late Fifteenth Century, vol. I, Concord, New Hampshire, Classical Folia Editions, 466 pp. includes a farrago of information on poets from St Gall up to Godfrey of Cambrai (I05Q-1107). P. Bourgain, 'Sur l'edition des textes litteraires latins medievaux', BEC, 150:5-49, begins with theoretical considerations, before facing the practical problems of transcription, presentation and the apparatus ofa text. P. Tordeur, 'Reflexions sur la rime', Latomus, 51 :315-28, examines the influence of classical Latin poetry on the development of rhyme in medieval poems. M. Schumacher, 'Der Biber - ein Asket? Zu einem metaphorischen Motiv aus Fabel und Physiologus', Euphorion, 86: 347- 53, reviews evidence in classical and patristic authors for the figure of the beaver as a symbol of asceticism. M. Lejbowicz, '''Computus''. Le nombre et Ie temps altimedievaux', Pris-Ma, 8: 3-29, traces the morphological and semantic stages of the word computus, before showing how it became a subject of general, not merely technical, interest in the tradition of medieval encyclopaedias. http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png The Year’s Work in Modern Language Studies Brill

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Publisher
Brill
Copyright
Copyright © Koninklijke Brill NV, Leiden, The Netherlands
ISSN
0084-4152
eISSN
2222-4297
DOI
10.1163/22224297-90003233
Publisher site
See Article on Publisher Site

Abstract

LATIN I. MEDIEVAL LATIN By c. J. McDoNOUGH, Profissor of Classics, University of Toronto I. GENERAL Joseph SZQverffy, Secular Latin Lyrics and Minor Poetic Forms of the Middle Ages. A Historical Survey and Literary Repertory from the Tenth to the Late Fifteenth Century, vol. I, Concord, New Hampshire, Classical Folia Editions, 466 pp. includes a farrago of information on poets from St Gall up to Godfrey of Cambrai (I05Q-1107). P. Bourgain, 'Sur l'edition des textes litteraires latins medievaux', BEC, 150:5-49, begins with theoretical considerations, before facing the practical problems of transcription, presentation and the apparatus ofa text. P. Tordeur, 'Reflexions sur la rime', Latomus, 51 :315-28, examines the influence of classical Latin poetry on the development of rhyme in medieval poems. M. Schumacher, 'Der Biber - ein Asket? Zu einem metaphorischen Motiv aus Fabel und Physiologus', Euphorion, 86: 347- 53, reviews evidence in classical and patristic authors for the figure of the beaver as a symbol of asceticism. M. Lejbowicz, '''Computus''. Le nombre et Ie temps altimedievaux', Pris-Ma, 8: 3-29, traces the morphological and semantic stages of the word computus, before showing how it became a subject of general, not merely technical, interest in the tradition of medieval encyclopaedias.

Journal

The Year’s Work in Modern Language StudiesBrill

Published: Mar 13, 1993

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