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Romance Languages DUECENTO AND TRECENTO I DANTE By STEVEN BoTTERILL, Assistant Profissor of Italian, University of California at Berkeley I 0 GENERAL Another year offeverish activity on the part of the academic world's countless Dantists has produced many encouraging signs of the enduring vitality of D. studies, among them an excellent new periodical (LDan) and three major collective volumes: Dante Readings, ed. Eric Haywood, Dublin, Irish Academic Press, I 50 pp. (hereafter Readings); Dante e le forme dell'allegoresi, ed. Michelangelo Haywood, Picone, Ravenna, Longo, I 7 5 pp. (Picone, Allegoresi); and * Realta e simbolo della 'donna' nella 'Commedia', ed. Pasquale Sabbatino, Pompei, Biblioteca L. Pepe, I45 pp. (Sabbatino, Donna). Details of the contents of all these are given separately below. Z. Baranski, '"Significar per verba": notes on Dante and plurilingualism', ltalianist, 6, Ig86: I-I8, carefully traces developments in the presence and significance of plurilinguistic elements in D.'s work from VN to the DC, arriving at the interesting conclusion that, such elements notwithstanding, the poem's style should not be called plurilingual, 'because this implies a separation between the different languages which belongs to that rhetorically organized culture which Dante left behind'. Indeed, for B., 'what Dante has actually done
The Year’s Work in Modern Language Studies – Brill
Published: Mar 13, 1988
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