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RUSSIAN STUDIES: LITERATURE, FROM THE BEGINNING TO 1700

RUSSIAN STUDIES: LITERATURE, FROM THE BEGINNING TO 1700 Russian Studies ss6 LITERATURE, FROM THE BEGINNING TO 1700 By A. D. STOKES, Lecturer in Russian 'at the School of Slavonic and East European Studies in the University of London I. GENERAL Certainly the most stimulating work this year has been D. S. Likhachev's HyAbmypa Pycu epe.Menu An8peR Py6Aeea u EnurfianuR Ilpe.+ty8poao (x:oHClf XIV-na'la.ao XVe.), M-JI, Ma)J;aT. AH CCCP, 170 pp., which, as far as lit. and iconography are concerned, covers some of the same ground as earlier articles by the same author ( YWML, xxi, 474, xxiii, 537), but has the great merit of putting the developments in these fields into historical perspective in a general European context and of demonstrating (in chapters on enlightenment, architecture and manners) that, in Russia, they were part of a movement which left its mark on all aspects of life and culture. Likhachev sees this movement as a product of the 'East European pre-Renaissance' (a term he considers more appropriate than 'Paleologue Renais­ sance' because of the latter's more narrow application to painting), a re-discovery of the ancient world which, contrary to its effect on the West, left intact the foundations of medieval society in Eastern Europe. He examines its Byzantine origins http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png The Year’s Work in Modern Language Studies Brill

RUSSIAN STUDIES: LITERATURE, FROM THE BEGINNING TO 1700

The Year’s Work in Modern Language Studies , Volume 24 (1): 6 – Mar 11, 1963

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Publisher
Brill
Copyright
Copyright © Koninklijke Brill NV, Leiden, The Netherlands
ISSN
0084-4152
eISSN
2222-4297
DOI
10.1163/22224297-90001288
Publisher site
See Article on Publisher Site

Abstract

Russian Studies ss6 LITERATURE, FROM THE BEGINNING TO 1700 By A. D. STOKES, Lecturer in Russian 'at the School of Slavonic and East European Studies in the University of London I. GENERAL Certainly the most stimulating work this year has been D. S. Likhachev's HyAbmypa Pycu epe.Menu An8peR Py6Aeea u EnurfianuR Ilpe.+ty8poao (x:oHClf XIV-na'la.ao XVe.), M-JI, Ma)J;aT. AH CCCP, 170 pp., which, as far as lit. and iconography are concerned, covers some of the same ground as earlier articles by the same author ( YWML, xxi, 474, xxiii, 537), but has the great merit of putting the developments in these fields into historical perspective in a general European context and of demonstrating (in chapters on enlightenment, architecture and manners) that, in Russia, they were part of a movement which left its mark on all aspects of life and culture. Likhachev sees this movement as a product of the 'East European pre-Renaissance' (a term he considers more appropriate than 'Paleologue Renais­ sance' because of the latter's more narrow application to painting), a re-discovery of the ancient world which, contrary to its effect on the West, left intact the foundations of medieval society in Eastern Europe. He examines its Byzantine origins

Journal

The Year’s Work in Modern Language StudiesBrill

Published: Mar 11, 1963

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