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Emotional and Semantic Associations Between Cinematographic Aesthetics and Haptic Perception

Emotional and Semantic Associations Between Cinematographic Aesthetics and Haptic Perception This study investigates systematic links between haptic perception and multimodal cinema perception. It differs from previous research conducted on cross-modal associations as it focuses on a complex intermodal stimulus, close to one people experience in reality: cinema. Participants chose materials that are most/least consistent with three-minute samples of films with elements of beauty and ugliness. We found that specific materials are associated with certain films significantly different from chance. Silk was associated with films including elements of beauty, while sandpaper was associated with films including elements of ugliness. To investigate the nature of this phenomenon, we tested the mediation effect of emotional/semantic representations on cinema–haptic associations. We found that affective representations at least partly explain the cross-modal associations between films and materials. http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png Multisensory Research (continuation of Seeing & Perceiving from 2013) Brill

Emotional and Semantic Associations Between Cinematographic Aesthetics and Haptic Perception

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References (30)

Publisher
Brill
Copyright
Copyright © Koninklijke Brill NV, Leiden, The Netherlands
ISSN
2213-4794
eISSN
2213-4808
DOI
10.1163/22134808-00002597
Publisher site
See Article on Publisher Site

Abstract

This study investigates systematic links between haptic perception and multimodal cinema perception. It differs from previous research conducted on cross-modal associations as it focuses on a complex intermodal stimulus, close to one people experience in reality: cinema. Participants chose materials that are most/least consistent with three-minute samples of films with elements of beauty and ugliness. We found that specific materials are associated with certain films significantly different from chance. Silk was associated with films including elements of beauty, while sandpaper was associated with films including elements of ugliness. To investigate the nature of this phenomenon, we tested the mediation effect of emotional/semantic representations on cinema–haptic associations. We found that affective representations at least partly explain the cross-modal associations between films and materials.

Journal

Multisensory Research (continuation of Seeing & Perceiving from 2013) – Brill

Published: Mar 30, 2017

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