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/lp/brill/art-power-and-knowledge-claiming-public-space-in-tunisia-R0I6f28jIt
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CDH „Notes on the commodification of street art
- Publisher
- Brill
- Copyright
- © 2016 by Koninklijke Brill NV, Leiden, The Netherlands
- Subject
- Articles
- ISSN
- 1876-3367
- eISSN
- 1876-3375
- DOI
- 10.1163/18763375-00802007
- Publisher site
- See Article on Publisher Site
Abstract
Charles Tripp argues that through artistic interventions – graffiti, visual street art, performances, demonstrations, banners, slogans – citizens have appropriated the public sphere. Despite the monitoring of political dissent through persuasion or coercion, an activist public has created highly visible public spaces, assisted and encouraged by citizen artists. They have generated debates and have helped to give substance to competing visions of the republic.
Journal
Middle East Law and Governance – Brill
Published: Nov 28, 2016
Keywords: Tunisia; art; power; public space; revolution; citizen artists