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- Publisher
- Brill
- Copyright
- © 1966 Koninklijke Brill NV, Leiden, The Netherlands
- ISSN
- 0030-672x
- eISSN
- 1875-0176
- DOI
- 10.1163/187501766X00397
- Publisher site
- See Article on Publisher Site
Abstract
263 Scaliger, Van Hout asks Tuningius to accompany him to talk with Goltzius. There must have been a letter from Scaliger with directions, which unfortunately has been lost. This was the motive of the author to analyse the settings of the engravings and to trace possible models, such as engraved portraits and book-titles with the same kind of design. It is notable that, while the allegorical frames were generally used for royalty, Scaliger, who claimed to be of aristocratic descent, chose this kind of frame too. Many of its details must have been decided upon by Scaliger himself, those of a heraldic nature too. Some unsatisfactory contradistinctions in the composition can perhaps be ex- plained by too much haste. It is remarlcable that Goltzius not only made the portraits of the Scaligers, but also that of Henry IV. A. BLANKERT Invul-portretten door Caspar en Constantyn Netscher In zijn boek over Gerard ter Borch vermeldt S. J. Gud- laugsson hoe in het atelier van deze meester voor het por- tretteren van verschillende personen soms twee maal de- zelfde compositie werd gebruiktl. Ter Borchs leerling Caspar Netscher blijkt eveneens deze werkwijze te hebben toege- past. De opzet van een door
Journal
Oud Holland - Quarterly for Dutch Art History – Brill
Published: Jan 1, 1966