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111 3. C. VAN DEN BROECK, JÜNGSTES GERICHT. 1560. BRUSSEL, KON. 1VIUS. F. SCHBNE KUNSTE. 4. C. VAN DEN BROECK. J?SNGSTES GERICHT, 1571. ANTWERPEN, KÖN. MuS. F. SCONE KUNSTE. wohl Leonardos Schlachtenkarton und Giulio Romanos "Konstantinschlacht". Als direkte Quelle diente Vasaris 1571 entstandenes Fresko im Salone dei Cinquecento des Pa- lazzo Vecchio (Abb. 5). Damit ist ein Da- tierungsanhalt gegeben. Das Stralsunder Ge- mdlde darf, nicht nur dem ausseren Format nach, als Hauptwerk Crispins gelten. 1) Lw. 224 x 142 cm. Z) F. Schottmfller, Die ital. und span. Bildwerke der Renaissance und des Barock I, 1933, S. 204, Nr.1964. 3) Vgl. J. G. van Gelder in Burl. Mag. 1951, 327. 4) Holz 119 z< 165 cm. 5) Weitere gleichthematische Darstellungen des Kiinstlers : Den Haag, Verst. Van Marle u. Bignell, 26-7-1943, No. 11; Briissel, Verst. Fievez, 12-4-1951, No. 196. Two Works from the Frans Floris School in the Stralsund Museum by Werner Sumowski Among the remnants of the former Löwen collection in the Stralsund museum there are two hitherto unnoticed works from the environment of Frans Floris. An anonymous "Birth of Venus" (ill. 1) shows affinity to the "Allegory of the arts at war-time" by Lucas de Heere
Oud Holland - Quarterly for Dutch Art History – Brill
Published: Jan 1, 1959
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