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Overzicht der Litteratuur betreffende Nederlandsche Kunst

Overzicht der Litteratuur betreffende Nederlandsche Kunst 280 Un Unknown Painting by Jan van Scorel by H. A. SCHMID . A private collection at Basle contains an "Ecce Ho.mo" (figs. 1-3) which bears on the back the monogram of Holbein, with the date 1538. It exhibits clearly the qualities which were characteristic of Jan van Scorel towards the end of the third decade and is, moreover, an original work (especially striking is the affinity with the painting in Vienna of the "Present- ation in the Temple", and further with the "Baptis.m of Jesus", in Haarlem and the "Women weeping at the Cross", in Utrecht). Another such painting of the same school came at the same time to Basle, about 1800, a "Last Supper", set in a frame-work of ornate architecture (figs. 4-7). This painting, however, appears to be merely a good copy, the original of which, unfortunately much mutilated and formerly in the collection of Dr. Schaffer, is now probably in America. Curt Steinbart attributes it to Scorel's pupil, Cornelis Buijs II (Marburger Jahr- buch 6 (1931) pp. 107-8, with figures). A second old, and somewhat smaller, replica is in the Brussels Museum (G. J. Hoogewerff: Pl. 48, School of Jan van Scorel). - . http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png Oud Holland - Quarterly for Dutch Art History Brill

Overzicht der Litteratuur betreffende Nederlandsche Kunst

Duverger, J.
Oud Holland - Quarterly for Dutch Art History , Volume 56 (1): 280 – Jan 1, 1939
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Publisher
Brill
Copyright
© 1939 Koninklijke Brill NV, Leiden, The Netherlands
ISSN
0030-672x
eISSN
1875-0176
DOI
10.1163/187501739X00306
Publisher site
See Article on Publisher Site

Abstract

280 Un Unknown Painting by Jan van Scorel by H. A. SCHMID . A private collection at Basle contains an "Ecce Ho.mo" (figs. 1-3) which bears on the back the monogram of Holbein, with the date 1538. It exhibits clearly the qualities which were characteristic of Jan van Scorel towards the end of the third decade and is, moreover, an original work (especially striking is the affinity with the painting in Vienna of the "Present- ation in the Temple", and further with the "Baptis.m of Jesus", in Haarlem and the "Women weeping at the Cross", in Utrecht). Another such painting of the same school came at the same time to Basle, about 1800, a "Last Supper", set in a frame-work of ornate architecture (figs. 4-7). This painting, however, appears to be merely a good copy, the original of which, unfortunately much mutilated and formerly in the collection of Dr. Schaffer, is now probably in America. Curt Steinbart attributes it to Scorel's pupil, Cornelis Buijs II (Marburger Jahr- buch 6 (1931) pp. 107-8, with figures). A second old, and somewhat smaller, replica is in the Brussels Museum (G. J. Hoogewerff: Pl. 48, School of Jan van Scorel). - .

Journal

Oud Holland - Quarterly for Dutch Art History – Brill

Published: Jan 1, 1939

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