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Spatial Vision , Vol. 21, No. 3–5, pp. 229 – 259 (2008) Koninklijke Brill NV, Leiden, 2008. Also available online - www.brill.nl/sv Implicit and explicit features of paintings SLOBODAN MARKOVI ´ C 1 , ∗ and ANA RADONJI ´ C 2 1 Laboratory of Experimental Psychology, Department of Psychology, University of Belgrade, Serbia 2 Rutgers University, Newark, New Jersey, USA Received 14 June 2006; accepted 9 January 2007 Abstract —Implicit features of the paintings are properties that are imposed by the observer (e.g. how pleasant, interesting, tense a painting appears), whereas explicit features refer to properties that can be directly perceived (form, color, depth, etc.). The aim of Experiments 1 and 2 was to investigate the underlying structure of implicit and explicit features of paintings using the factor analysis of elementary judgments. In the preliminary studies, representative sets of paintings and elementary implicit and explicit dimensions (in the form of bipolar scales) were selected. Four implicit factors were extracted: Regularity, Relaxation, Hedonic Tone and Arousal. Four explicit factors were extracted: Form, Color, Space and Complexity. The following significant correlations between implicit and explicit factors were obtained: Regularity–Form, Regularity–Space, Hedonic Tone–Form and Arousal–Complexity. In Experiment 3 the role
Spatial Vision (continued as Seeing & Perceiving from 2010) – Brill
Published: Jan 1, 2008
Keywords: PAINTINGS; FACTOR ANALYSIS; MULTIDIMENSIONAL SCALING; IMPLICIT AND EXPLICIT FEATURES
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