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Implicit and explicit features of paintings

Implicit and explicit features of paintings Spatial Vision , Vol. 21, No. 3–5, pp. 229 – 259 (2008)  Koninklijke Brill NV, Leiden, 2008. Also available online - www.brill.nl/sv Implicit and explicit features of paintings SLOBODAN MARKOVI ´ C 1 , ∗ and ANA RADONJI ´ C 2 1 Laboratory of Experimental Psychology, Department of Psychology, University of Belgrade, Serbia 2 Rutgers University, Newark, New Jersey, USA Received 14 June 2006; accepted 9 January 2007 Abstract —Implicit features of the paintings are properties that are imposed by the observer (e.g. how pleasant, interesting, tense a painting appears), whereas explicit features refer to properties that can be directly perceived (form, color, depth, etc.). The aim of Experiments 1 and 2 was to investigate the underlying structure of implicit and explicit features of paintings using the factor analysis of elementary judgments. In the preliminary studies, representative sets of paintings and elementary implicit and explicit dimensions (in the form of bipolar scales) were selected. Four implicit factors were extracted: Regularity, Relaxation, Hedonic Tone and Arousal. Four explicit factors were extracted: Form, Color, Space and Complexity. The following significant correlations between implicit and explicit factors were obtained: Regularity–Form, Regularity–Space, Hedonic Tone–Form and Arousal–Complexity. In Experiment 3 the role http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png Spatial Vision (continued as Seeing & Perceiving from 2010) Brill

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Publisher
Brill
Copyright
© 2008 Koninklijke Brill NV, Leiden, The Netherlands
ISSN
0169-1015
eISSN
1568-5683
DOI
10.1163/156856808784532563
pmid
18534101
Publisher site
See Article on Publisher Site

Abstract

Spatial Vision , Vol. 21, No. 3–5, pp. 229 – 259 (2008)  Koninklijke Brill NV, Leiden, 2008. Also available online - www.brill.nl/sv Implicit and explicit features of paintings SLOBODAN MARKOVI ´ C 1 , ∗ and ANA RADONJI ´ C 2 1 Laboratory of Experimental Psychology, Department of Psychology, University of Belgrade, Serbia 2 Rutgers University, Newark, New Jersey, USA Received 14 June 2006; accepted 9 January 2007 Abstract —Implicit features of the paintings are properties that are imposed by the observer (e.g. how pleasant, interesting, tense a painting appears), whereas explicit features refer to properties that can be directly perceived (form, color, depth, etc.). The aim of Experiments 1 and 2 was to investigate the underlying structure of implicit and explicit features of paintings using the factor analysis of elementary judgments. In the preliminary studies, representative sets of paintings and elementary implicit and explicit dimensions (in the form of bipolar scales) were selected. Four implicit factors were extracted: Regularity, Relaxation, Hedonic Tone and Arousal. Four explicit factors were extracted: Form, Color, Space and Complexity. The following significant correlations between implicit and explicit factors were obtained: Regularity–Form, Regularity–Space, Hedonic Tone–Form and Arousal–Complexity. In Experiment 3 the role

Journal

Spatial Vision (continued as Seeing & Perceiving from 2010)Brill

Published: Jan 1, 2008

Keywords: PAINTINGS; FACTOR ANALYSIS; MULTIDIMENSIONAL SCALING; IMPLICIT AND EXPLICIT FEATURES

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