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Notes on Contributors

Notes on Contributors N OTES ON C ONTRIBUTORS Richard Dutton is Professor of English at Lancaster University, where he has taught since 1974. He has published widely on early modern drama, especially on questions relating to censorship: his latest book on that theme is Licensing, Censorship and Authorship in Early Modern Eng- land: Buggeswords (Palgrave, 2000). He has also edited a number of texts from the period, including “Women Beware Women” and Other Plays by Thomas Middleton (Oxford University Press, 1999) and Jonson’s Epicene (Manchester University Press, in press). He is currently editing, with Jean Howard, four Companions to Shakespeare’s Works (Blackwell) and working on an edition of Volpone for the Cambridge Ben Jonson . From 2003 he will be Professor of English at Ohio State University. Katharine Goodland is an Assistant Professor of English at the College of Staten Island, City University of New York. Her article “‘Us for to Wepe, No Man May Lett’: The Ambivalent Voice of Female Grief in the Medieval English Lazarus Plays,” is forthcoming in Grief and Gendered , ed. Jennifer Vaught and Lynne Bruckner, from Palgrave Press. She is working on a book on Grief and Tragedy in Early Modern England. R. Chris Hassel, http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png Religion and the Arts Brill

Notes on Contributors

Religion and the Arts , Volume 7 (1-2): 209 – Jan 1, 2003
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Publisher
Brill
Copyright
© 2003 Koninklijke Brill NV, Leiden, The Netherlands
ISSN
1079-9265
eISSN
1568-5292
DOI
10.1163/156852903765453290
Publisher site
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Abstract

N OTES ON C ONTRIBUTORS Richard Dutton is Professor of English at Lancaster University, where he has taught since 1974. He has published widely on early modern drama, especially on questions relating to censorship: his latest book on that theme is Licensing, Censorship and Authorship in Early Modern Eng- land: Buggeswords (Palgrave, 2000). He has also edited a number of texts from the period, including “Women Beware Women” and Other Plays by Thomas Middleton (Oxford University Press, 1999) and Jonson’s Epicene (Manchester University Press, in press). He is currently editing, with Jean Howard, four Companions to Shakespeare’s Works (Blackwell) and working on an edition of Volpone for the Cambridge Ben Jonson . From 2003 he will be Professor of English at Ohio State University. Katharine Goodland is an Assistant Professor of English at the College of Staten Island, City University of New York. Her article “‘Us for to Wepe, No Man May Lett’: The Ambivalent Voice of Female Grief in the Medieval English Lazarus Plays,” is forthcoming in Grief and Gendered , ed. Jennifer Vaught and Lynne Bruckner, from Palgrave Press. She is working on a book on Grief and Tragedy in Early Modern England. R. Chris Hassel,

Journal

Religion and the Arts – Brill

Published: Jan 1, 2003

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