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694 2) See also the instructive chapter on 'Foreknowledge' in A. Maria van Erp Taalman Kip, Reader and Spectator. Problems in the Interpretation of Greek Tragedy (Amsterdam 1990), 21-41. 3) G. Prince, Narrative as Theme. Studies in French Fiction (Lincoln-London 1992), 28-38. 4) H.-G. Nesselrath, Ungeschehenes Geschehen. 'Beinahe-Episoden' im griechischen und römischen Epos (Stuttgart 1992). 5) M. Reichel, Retardationstechniken in der Ilias, in: W. Kullmann, M. Reichel (Hrsg.), Der Übergang von der Mündlichkeit zur Literatur bei den Griechen (Tübingen 1990), 125-51. 6) W. Schadewaldt, Hektor und Andromache, in: Von Homers Welt und Werk (Stutt- gart 1959), 207-33, esp. 214-5. DE NOVIS LIBRIS IUDICIA MARIA KARDAUN. Der Mimesisbegriff in der griechischen Antike. Neubetrachtungen eines umstrittenen Begriffes als Ansatz zu einer neuen Interpretation der platonischen Kunstauffassung (Verh. Kon. Ned. Ak. Wet., Afd. Let- terk. N.R. 153). Amsterdam, North Holland, 1993. 78 pp. Pr. Dfl. 65,-. The main point of this study is that the meaning of "can roughly be rendered as 'non-discursive representation through images' " (70), in German bildende Darstellung and that too often the Greek term is still being translated by 'imitation'. To do so is wrong, for Nachahmung (similarly 'imitation') is preponderantly being used in connection with
Mnemosyne – Brill
Published: Jan 1, 1994
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