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This article analyzes characterization (of the monster and the “Final Girl”) and identification (of the male audience) in the slasher film. The author engages in a critical dialogue with key theories of gender in the horror film, particularly Carol Clover's work, arguing that these films,...
The purpose of this research is to explore the construction of a new masculinity by investigating the relationship between the Jewish identity and that of the biker. Using data from participant observation and in-depth interviewing, the author investigates the ways in which identity is...
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