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Abstract Performance discourse in the late eighteenth and early nineteenth centuries (i.e., writing about interpretative performance in treatises, reviews, dictionaries, articles, and philosophical works) is distinct from that in both earlier and later periods. Although a full early Romantic...
Abstract When, in 1874, Hans von Bülow denounced Verdi's Requiem as an “opera in ecclesiastical robes,” he perpetuated the view (previously common among German critics) that Italian music amounted to little more than Italian opera, a genre thought inferior to German music. However, this...
Abstract This article tells the story of a self-publishing business maintained by Georg Philipp Telemann in Frankfurt and Hamburg from 1715 through the late 1730s, a remarkable venture that illuminates much about music commerce during the early eighteenth century. At a time in Germany when...
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