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This article explores the relation between popular music and creative cities through the example of Manchester between 1976 and 1997. The formation of a local music scene is analysed through the notion of urban creative milieu stating its historical debt to the city industrial heritage;...
In the years since the London tube bombings, popular depictions of British Asians have been increasingly `othered' at best, and stereotyped as dangerous terrorists at worst. Asian self-representation continues to be a critically-needed intervention. East London's Asian electronic music scene...
This article examines the national-international relationship of recent music discourses in Finland. Since 2000, Finnish popular music has gained notable recognition at the international level. Some acts (e.g. HIM, Children of Bodom and Apocalyptica) have even succeeded in the US market, which...
This article explores how a focus on the movement of people, especially between countries, might provide new perspectives on music scenes. After a brief case study of a rap song and summary of the origins of Turkish hip-hop, the article presents a series of vignettes from ethnographic fieldwork...
During the past decades media technologies for producing and consuming popular music have gone through major changes. The digitalization of older media and so-called new media has transformed the landscape for music use. Technological developments in radio, television, the internet, computers,...
In the wake of globalization and the context of a socialist market economy, youth cultures in China have been undergoing a major transformation. While the youth culture in China has joined the global trend to become more commercialized as a result of emerging values, norms and values of...
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