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Abstract: This paper looks at the late Muromachi nō playwright Kanze Nagatoshi, examining two of his plays, Rinzō (The Revolving Sutra Case) and Ōyashiro (The Great Shrine), structurally against the Sandō (The Three Paths), the great treatise on nō play composition written by Zeami Motokiyo,...
This paper looks at the late Muromachi nÅ playwright Kanze Nagatoshi, examining two of his plays, RinzÅ (The Revolving Sutra Case) and Åyashiro (The Great Shrine), structurally against the SandÅ (The Three Paths), the great treatise on nÅ play composition...
As one of the founders of the discipline of performance studies, Richard Schechner has been instrumental in the development of new paradigms for experiencing and theorizing theatre in Asia. The impact of his scholarship, teaching, mentorship, theatrical practice, and editorship of TDR: The...
Daniel S. P. Yang trained in amateur jingju (Beijing opera) in Taiwan in the 1950s and studied in the Asian theatre graduate programs at the University of Hawaiâi and the University of WisconsinâMadison in the 1960s. His early career was marked by jingju productions and...
Abstract: This essay interrogates the traditionally gendered Filipino female domestic helper vis-à-vis her “constructed” role in transnational relations and the idea of globalization represented in the 2007–2008 musical The Silent Soprano . Through this musical, the essay explores how...
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