1 - 10 of 21 articles
The author has produced three new arja: Meeting in Tampaksiring (Katemu Ring Tampaksiring, 2004 ), King Adhipusengara (Prabu Adhipusengara, 2006 ), and Rape of Sukreni (Sukreni Gadis Bali , 2008 ). While keeping the essential elements of arja intact, each production shows significant aesthetic...
Abstract: This essay enquires the link between the actor’s eyes, imagination, and the temporal experience of perception in performance. This enquiry is strongly grounded within the aesthetics and praxis of kudiyattam, which is the oldest of the Indian (Sanskrit) theatre forms. Here, the actor’s...
Abstract: This report notes the papers and performances on Malaysian, Thai, and Indonesian mak yong presented in the 2011 conference. It argues that historically Kelantan, Malaysia, and Pattani, Thailand, understandings of the form are shared. National borders inset in the colonial period and...
Abstract: The Malay martial art of pencak silat is an important source of traditional acting technique. During the colonial period and postcolonial modernization, Western models of theatre replaced traditional performance, and the physical technique of theatre was largely modeled on Western...
Abstract: This bibliography presents a selection of materials in English about Malaysian theatre, with an emphasis on modern drama. Included are articles, chapters in books, encyclopedia entries, DVDs, books, Malay plays translated into English, English-language plays, and additional resources....
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