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Government efforts to monitor, regulate, and control the art of wayang dramatically increased during Soeharto's New Order regime (1966-1998). State-sponsored wayang competitions, as well as the aesthetic categories used for evaluating performers, became important sites for merging wayang...
The rod-puppet theatre of Thailand has been revitalized in the last thirty years by the work of artist and puppet maker Chakrabhand Posayakrit. His research into hun has contributed to a resurgence of knowledge and performance of this court-influenced art.
Burmese marionette theatre was a valued entertainment of the courts that came to popular audiences as well until the 1950s. A revival of the art is being led by the Mandalay Marionettes, and a division of puppetry has been instituted at the Yangon (Rangoon) University of Culture. Nationalism and...
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