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Animation and comic books share a common field in that both are composed of images sequenced in time: one is driven mechanically and electronically in projection, and the other by the peripatetic and wilful actions of the reader. However, the single comic book panel has its own duration which is...
In the world of the superhero, action is everything. Focusing on DC Comic’s ‘Fastest Man Alive’, the Flash, this article examines the techniques used by comic book artists to animate the seemingly static images of superhero adventures. Taking its cue from superheroes’ success as the stars...
This article argues that the comic book form is anything but static. The panels that litter its pages are riddled with a dynamism and motion that presents its own unique articulation of time and space. Some of the narrative action represented within a comic book panel can ‘freeze’ time, but...
Dryden Goodwin’s frame-based films both challenge and reaffirm the principles and conventions of animation. A fundamental component of his wider artistic project, this form of filmmaking is intertwined with his other concerns, which include drawing, portraiture and notions of ‘series’. In...
The search for the ‘secrets between the panels’ in the ‘strange and wonderful’ medium of the comic book certainly evokes the appeal of a narrative adventure — a quest to find a hidden treasure in an unknown realm — but when comic book analysis is consumed by the search to locate a...
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