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This is the first in-depth analysis of Maya Memsaab (1992), Ketan Mehta's Hindi film adaptation of Flaubert's 1857 classic novel, Madame Bovary. Using the taxonomy established by Thomas Leitch in his recently published Film Adaptation and Its Discontents, the essay argues that in addition to...
This article is concerned with the imagery and topography of London as represented in British and German cinema of the 1920s. It claims that literary renditions were an important source for cinematic iconography and were a frequent frame of reference in cinematic discourse. Although German...
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