Common Knowledge

Epstein, Mikhail

2010 Common Knowledge

doi: 10.1215/0961754X-2010-001

In this guest column, Epstein offers "a new sign" that, he argues, resolves difficulties that have arisen in many theories and practices, including linguistics, semiotics, literary theory, poetics, aesthetics, ecology, ecophilology, eco-ethics, metaphysics, theology, psychology, and phenomenology. The new sign, a pair of quotation marks around a blank space, signfies the absence of any sign. Most generally, " " relates to the blank space that surrounds and underlies a text; by locating " " within the text, the margins are brought inside and can become the focus of attention. Not only the margins but also the material background of a text (the page or screen) can be brought forward and focused on through the transparency of the sign " ", in which case " " becomes a sign of itself. Consubstantial with its medium, therefore, this sign is both relative and universal: " " is the same everywhere, on every surface, in every language, and also in the arts. Epstein analyzes works by Rauschenberg, Malevich, Ilya Kabakov, and Vasilisk Gdenov in the visual arts, as well as music by John Cage, to demonstrate the usefulness of his new sign for aesthetics and art criticism. Each discipline, he argues, has its own nonspeakable conditions and assumptions that it needs to bring inside disciplinary frontiers. At the frontier of language, " " is both inside and outside, and therefore can express the nonspeakable condition of speakability. In concluding, Epstein suggests that the task of the avant-garde in theory today is to develop a "negative semiotics": a semiotics of nonsigns, modeled on negative (apophatic) theology.

Bourbon, Brett

2010 Common Knowledge

doi: 10.1215/0961754X-2010-002

The academic dominance of cultural studies and the increasing interest and significance of cultural conflict in our world has encouraged various theories of culture, the most pervasive being theories of transculture and hybrid cultural forms and entities. In this guest column, Bourbon argues that all such trans theories are fundamentally flawed and distort the very idea of culture. His essay analyzes the concept of transobjects and transcultures, looking both at the assumptions supporting such objects and ideas and at their explanatory uses. This discussion leads to one on the relationship between texts and contexts. Most cultural theories, and all transcultural theories, confuse the relationship between texts and contexts, specifically misusing the idea of the conditions of possibility, while relying on various forms of personification. Bourbon both criticizes these ideas and also offers a more modest idea of culture, along with specific suggestions on how to study and understand what we call "products of culture," including fictions and ourselves.

Allen, Barry; Faure, Bernard; Raz, Jacob; Magee, Glenn Alexander; Verbin, N.; Ofer, Dalia; Pryce, Elaine; King, Amy M.

2010 Common Knowledge

doi: 10.1215/0961754X-2010-003

Introducing the sixth and final installment of the Common Knowledge symposium "Apology for Quietism," Allen looks at the symposium retrospectively and concludes that it has mainly concerned "sage knowledge," defined as foresight into the development of situations. The sagacious knower sees the disposition of things in an early, incipient form and knows how to intervene with nearly effortless and undetectable (quiet) effectiveness. Whatever the circumstance, the sage handles it with finesse, never doing too much but also never leaving anything undone that must be accomplished. Quiet, when it is knowingly and effectively quiet (not pusillanimous or poor in spirit), is about what not to do, how not to approach a problem, what not to decide, what is not known, what will not work. Allen explains these principles in terms of traditional Chinese thought, Daoist and Confucian: wei we wei , or "doing-not-doing," means effective inaction. What makes such wisdom possible is not mystical insight, he argues, but discipline in a certain kind of art. The sage has no need of reasons (let alone doctrines), only effectiveness; and he does not need truth or justice, only subtlety. The detachment of a quietist has little, if anything, to do with transcending perspectives. Detachment is good as a means to flexibility, and instead of transcending perspectives, a sage is skilled in the quiet art of never getting stuck in one. To be effectively quiet is not so much to be silent as to be inaudible, invisible; the sage "vanishes into things."

Faure, Bernard

2010 Common Knowledge

doi: 10.1215/0961754X-2010-004

A contribution to the sixth installment of the Common Knowledge symposium "Apology for Quietism," this article addresses a) the extent to which the familiar term "Buddhist quietism" is legitimate, b) the use of the term by Jesuit missionaries in Asia at the time that Catholic quietism was briefly flourishing in Europe, and c) the use of the term in the European philosophical controversy over Spinozism. Faure argues that, in most cases, the European critique of Buddhism was aimed at European enemies. Chan Buddhism in China and Zen in Japan came to be associated with nihilism as well as quietism, and the association proved resilient down into the twentieth century, but the Jesuit critique has a peculiar provenance. The Jesuits in China borrowed arguments against Buddhism from neo-Confucianist allies, yet the Confucian critique of Buddhism was itself indebted to arguments that had been directed by Buddhist schools against one another. Certain Chan schools had accused other Chan schools of quietism and nihilism, and Western scholars even in the later twentieth century have taken sides in these disputes as well. However, Faure argues, the "no-thought" of Chan is not the "blank slate" of Christian quietism, on which God engraves his will and blessings. Nor does Buddhist quietism lead to the extasis of mystical union. Moreover, Buddhism was perceived by East Asian rulers mainly as an ideological weapon and only secondarily as a soteriological doctrine. Indeed "warrior monks" in Japan formed bands that attacked all who threatened their interests, and the country could not be unified under Tokugawa rule until this activist Buddhism was quelled. The article concludes with an expression of admiration for quietism and a wish that there might be more of it in Buddhism now.

Raz, Jacob

2010 Common Knowledge

doi: 10.1215/0961754X-2010-005

A contribution to the sixth installment of the Common Knowledge symposium "Apology for Quietism," this article proposes that, despite endless debates within Zen Buddhism between quietist tendencies ("sitting quietly, doing nothing") and the instruction to act in the world ("go wash the dishes"), Zen has always held a nondualist approach that denies any contradiction between these seemingly distinct ways. Zen has never really seen them as distinct. The article does survey, however, several quietist sources for Zen in early Indian and Daoist thought and practice, and it also surveys the debates between these and more activist tendencies. Raz goes on to show how these became unified in a nondualist approach in the writings and teachings of prominent Chinese and Japanese teachers from the beginning of Zen (Chan) in China down to the twentieth century.

Magee, Glenn Alexander

2010 Common Knowledge

doi: 10.1215/0961754X-2010-006

A contribution to the sixth installment of the Common Knowledge symposium "Apology for Quietism," this article argues that a strong strain of quietism runs through German intellectual history, from medieval mystics such as Eckhart to the main line of modern philosophers, including Kant, Fichte, Hegel, Schopenhauer, Nietzsche, Wittgenstein, and Heidegger. Magee treats each of these in turn, establishing case by case that the relation of the individual to the universal is the central issue of German thought, as it is of quietist thinking generally. The identity of the universal varies; sometimes it is said to be God, sometimes the moral law, and sometimes reason (whether human reason or an objective reason inherent in the nature of the world). The process of grappling with how human beings must orient themselves toward the universal very often issues in conclusions that are quietistic: we are enjoined to acquiesce to the universal, and to accept the world as its manifestation. And such, Magee argues, is the case throughout the mainstream German intellectual tradition.

Verbin, N.

2010 Common Knowledge

doi: 10.1215/0961754X-2010-007

A contribution to the sixth installment of the Common Knowledge symposium "Apology for Quietism," this article compares the worldview of Qoheleth (Ecclesiastes) and the quietism that it presumably entails to the early Wittgenstein's worldview and his quietism. The first section of the article treats a relevant paradox in the worldview of the early Wittgenstein: his positive exhortations for certain types of speech and silence, for certain types of action and inaction, seem in conflict with his statement that, in the world, "there is no value—and if there were, it would be of no value." The second section examines an internal paradox in the worldview of Qoheleth, who commends the enjoyment of a world that he considers meaningless and vain. The third and final section of the article compares these paradoxes as constitutive of the texts in which they appear. Conveying no univocal message, while both writers exhibit quietism, they also gesture toward kinds of speech and action.

Ofer, Dalia

2010 Common Knowledge

doi: 10.1215/0961754X-2010-008

A contribution to the sixth installment of the Common Knowledge symposium "Apology for Quietism," this article reflects on the challenges that understanding the Holocaust posed for Jews in Palestine and has posed for them in Israel. Ofer concentrates on the images of victims, fighters, and survivors as they were formulated during the last years of World War II and after the establishment of the State of Israel. Behind these images stood historical, concrete human beings who were classified according to concepts supplied by Zionist and historical Jewish culture, in which activism vs. quietism had long presented major issues for debate. A narrative and typology developed of fighting heroes, victims, and survivors; Ofer questions how different these categories were from each other. In pursuit of an answer, she examines institutions in Israel for commemoration and remembrance, especially Yad Vashem, a state-established institution centering on its often-reconfigured and redesigned historical museums. Finally, this article explores the impact of immigrations and wars on the approach of Israelis to activism and quietism, with special reference to attitudes toward the Holocaust.

Pryce, Elaine

2010 Common Knowledge

doi: 10.1215/0961754X-2010-009

A contribution to the sixth installment of the Common Knowledge symposium "Apology for Quietism," this article focuses on the early-twentieth-century Quaker historian and philosopher of mysticism, Rufus Jones, who treated Quietism as in polar opposition to the work of Quakerism "here in this world." Consequently, he placed Quietism within a negatively-constructed framework of belief, identifying much of its influence in Quaker history on the spiritual teachings of the Miguel de Molinos, Madame Guyon, and François Fénelon. This article examines Jones's premise that Quietism was "no more than a noble mood, too rare and abstract to be translated into real human life." It contends that Jones's aversion to Quietist influences in Quaker history had more to do with his own personal ambivalences, his response to the violence of World War I, his modernizing agenda, and his distorted understanding of Quietist spirituality than with anything inherent to Quietism itself.

King, Amy M.

2010 Common Knowledge

doi: 10.1215/0961754X-2010-010

A contribution to the sixth installment of the Common Knowledge symposium "Apology for Quietism," this article explores the possibilities for quietist narrative. Since quietism suggests resistance or condescension to telos, suspense, will, and the kinds of spirituality, politics, and ways of being associated with them, it seems unlikely that a narrative would be written or read by a practitioner of "ideal indifference" or by anyone averse on principle to initiative. But Gilbert White's text of 1789, The Natural History and Antiquities of Selborne comes as close to being a quietist narrative as is conceivable. Describing the environment of a single English parish, White's text places stillness on exhibit as an indication of commitment to an ethics of self-unregarding attentiveness. But the stillness of Selborne , King argues, is a conspicuous stillness—a practice of being still in face of the natural world. As an Anglican minister, White explicitly demonstrates the arguments of eighteenth-century natural theology. Having stilled his will to interfere, he can observe the activity of God's creations; and White does so in order to understand God better. Thus, White's desisting or withdrawal is in no way based in defeatism, indolence, or aimlessness. Moreover, King argues, White aims to produce stillness as a formal quality of his text and, through it, to produce a like stillness and attentiveness in the reader. Quietist narrative is meant to help the reader still his or her acquisitiveness and develop instead observational capabilities, a capacity simply to admire (or stand apart, in awe), and, above all, patience. To the extent that it fosters in us a principled "do nothing" stance with respect to our natural ecology, King concludes, quietism of Gilbert White's kind may represent the most radical of environmental politics.