1 - 6 of 6 articles
Current scholarship credits Schoenberg exclusively for revealing the extent of Brahms's thematic work. Certainly, both Schoenberg's Brahms lecture of 1933 and its revision as the seminal essay ‘Brahms the Progressive’ (1947) not only rescued Brahms from the conservative dead end into which the...
My title is a pun on Stravinsky's characterisation of Pierrot Lunaire as the solar plexus of twentieth‐century music. Given its place in the history of musical depictions of moonlight, I characterise Pierrot as the twentieth century's lunar nexus – a place of intersections among literary and...
Giacinto Scelsi (1905–1988) is a problematic figure for musical analysis on account of his extreme anti‐rationalism and devaluing of the score. By the 1950s he was creating music through improvisation and delegating to assistants the task of transcribing the results. The idiom he evolved was...
Read and print from thousands of top scholarly journals.
Continue with Facebook
Sign up with Google
Log in with Microsoft
Already have an account? Log in
Bookmark this article. You can see your Bookmarks on your DeepDyve Library.
To save an article, log in first, or sign up for a DeepDyve account if you don’t already have one.
Sign Up Log In
To subscribe to email alerts, please log in first, or sign up for a DeepDyve account if you don’t already have one.
To get new article updates from a journal on your personalized homepage, please log in first, or sign up for a DeepDyve account if you don’t already have one.