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The literature on continuous exposition is characterised by two features: (1) concentration on the music of Haydn and (2) the examination of fast movements. This essay deviates from these starting points by examining Mozart's slow movements. The aim is to give close readings of a small number of...
The harmonic dualist notion of two commensurate ‘systems’ – authentic and plagal – proposed by Daniel Harrison in 1994 has not been widely accepted, but it enabled him to uncover strong plagal elements in the music of late nineteenth‐century European composers, and it gives much heft to the...
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