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Abstract Russia's social and economic transformation at the beginning of the twentieth century was accompanied by profound cultural and artistic transformation. In particular, Russian cultural elites struggled to control and contain what they saw as threats to Russia's national culture. At the...
Abstract This article is based on the key-note lecture given at the conference “Non-Nationalist” Russian Operas, Leeds, U.K., on 17 November 2010. It engages with the conference's distinction between the “nationalist” and “non-nationalist” and proposes six potential situations for when an opera...
Abstract We have discussed Russian music in terms of its Russianness long enough. A short history and analysis of that discourse, its double standards and its contradictions, is given, focusing on the seminal writings of Vladimir Stasov, and an account of its migration westward, at first through...
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