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for: does it mean anything if your own name is wrong in your published
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Does it mean anything if your own name is wrong in your published paper?
Trikalinos, Thomas A.
Follow The FASEB Journal , Volume 23 (8): 2345
Fed of American Socs for Experimental Biology – Aug 1, 2009may be as reluctant to rectify other, nonobvious (yet potentially consequential) mistakes after a paper’s publication. —Trikalinos, T. A. Does it mean anything if your own name is wrong in your ...
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The safety of Electronic Medical Record (EMR) systems: what does EMR safety mean and how can we engineer safer systems?
Weber-Jahnke, Jens H.; Mason-Blakley, Fieran
ACM SIGHIT Record , Volume 1 (2)
Association for Computing Machinery – Sep 1, 2011The Safety of Electronic Medical Record (EMR) Systems What does EMR Safety mean and how can we engineer safer systems? Jens H. Weber-Jahnke Department of Computer Science University of Victoria ...
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Owning "the dreadful truth"; Or, Is Thirty-Five Too Old?: Age and the Marriageable Body in Wilkie Collins's Armadale
Niles, Lisa
Follow Nineteenth-Century Literature , Volume 65 (1)
University of California Press – Jun 1, 2010moral corruption should be visible.6 What does surprise is that the reviews identify Lydia Gwiltâs age as a crime. And they seem as intent on naming her a murderess as they are on outing her as a middle ...
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DICTIONARY PRONUNCIATIONS: MINE OR THEIRS OR YOURS?
HARTMAN, JAMES
Follow American Speech: A Quarterly of Linguistic Usage , Volume 75 (3)
Duke University Press – Sep 1, 2000delightfully varied garb in our own American English, I would come back to the beauty of brevity. And my ultima verba would be succinctly: 1. 2. 3. 4. 5. Respect the best of your language and othersâ languages ...
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Red
Schweizer, Andreas
Follow Jung Journal: Culture and Psyche , Volume 5 (3)
University of California Press – Aug 1, 2011own life if not [you] yourself ? So live yourselves . . . (2009, 231, fn23) And then he adds: âYou seek your path? I warn you away from my own. It can also be the wrong way for you [Ich warne euch vor ...
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Rehearsed and Coerced: Creating Counter Indications
McMahon, Jeff
Follow TDR/The Drama Review , Volume 55 (2)
MIT Press – Jun 1, 2011this is too difficult or you are distracted?â Counter Indications â Interrupt the other (Bad Cop) and bring pressure down ⢠Bad Cop: â âYou arenât concentratingâ â âPerhaps your own personal ...
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Reply to critics
Judith, Thomson
Follow Philosophical Studies , Volume 154 (3)
Springer Journals – Jul 1, 2011about where you took your degree. And so on and on. I mean these literallyâand I canât imagine how it could be denied that at least some of them are true. (Iâm not certain about skirts.) In sum, I ...
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Barry Hines' Unproduced Miners' Strike Plays: An Archival Study
Vice, Sue
Follow Journal of British Cinema and Television , Volume 8 (2): 204
Edinburgh University Press – Aug 1, 2011), in which the strike does appear in published form: here, the son of a striking miner returns to his native pit-village ten years after the strike to attempt reconciliation with his dying father. Despite ...
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Projections and Intersections: Paranoid Textuality in Sorry, Wrong Number
Crane, David
Follow Camera Obscura , Volume 17 (3 51)
Duke University Press – Jan 1, 2002, Wrong Number her an agent in control of these visions and voices, this effect positions her more as an intermediating agent.20 Her own voice competes with (even as it attempts to complete) the testimony ...
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"I'm already in a sort of tomb": A Reply to Philip Scheffner's The Halfmoon Files
Gordon, Avery F.
Follow South Atlantic Quarterly , Volume 110 (1)
Duke University Press – Jan 1, 2011, the ghost story arrives as history does, all at once or from a distance, always within the skin of an experience that one names oneâs life. As told, the ghost story is then and now. As told, the ghost story ...
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