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The Defence of Tradition in Brazilian Popular Music: Politics, Culture and the Creation of Música Popular Brasileira (review)

The Defence of Tradition in Brazilian Popular Music: Politics, Culture and the Creation of Música... Luso-Brazilian Review 47:2 The last article of the second section is Alice Cruz's "Entre a evidência e a verdade: Nos interstícios da experiência e da memória com As duas sombras do rio, de João Paulo Borges Coelho." Cruz provides a close reading of the abovementioned literary work, focusing on the renegotiation of national identity through the revitalization of memory, which exposes the different sociopolitical legacies that generated the complexity of Mozambique's social tissue. The final section of the book opens with the article "Da poesia como desencontro com a história," by the writer Luís Carlos Patraquim. In his analysis of the works of the Mozambican poets José Craveirinha and Rui Knopfl i, Patraquim elaborates on how both attempted to mediate the complex relationship between poetry and history, turning it into one of the themes to be explored in their works. Nelson Saúte's "Escrever e (sobre)viver em Moçambique" is the article that follows. The writer presents an autobiographical text in which he starts by focusing on the 1980s and the main socio-political events that marked his life as a man and a writer. Saúte demonstrates how the main changes that occurred in the literary field from that time until http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png Luso-Brazilian Review University of Wisconsin Press

The Defence of Tradition in Brazilian Popular Music: Politics, Culture and the Creation of Música Popular Brasileira (review)

Luso-Brazilian Review , Volume 47 (2) – Jan 30, 2010

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Publisher
University of Wisconsin Press
Copyright
Copyright © University of Wisconsin Press
ISSN
1548-9957
Publisher site
See Article on Publisher Site

Abstract

Luso-Brazilian Review 47:2 The last article of the second section is Alice Cruz's "Entre a evidência e a verdade: Nos interstícios da experiência e da memória com As duas sombras do rio, de João Paulo Borges Coelho." Cruz provides a close reading of the abovementioned literary work, focusing on the renegotiation of national identity through the revitalization of memory, which exposes the different sociopolitical legacies that generated the complexity of Mozambique's social tissue. The final section of the book opens with the article "Da poesia como desencontro com a história," by the writer Luís Carlos Patraquim. In his analysis of the works of the Mozambican poets José Craveirinha and Rui Knopfl i, Patraquim elaborates on how both attempted to mediate the complex relationship between poetry and history, turning it into one of the themes to be explored in their works. Nelson Saúte's "Escrever e (sobre)viver em Moçambique" is the article that follows. The writer presents an autobiographical text in which he starts by focusing on the 1980s and the main socio-political events that marked his life as a man and a writer. Saúte demonstrates how the main changes that occurred in the literary field from that time until

Journal

Luso-Brazilian ReviewUniversity of Wisconsin Press

Published: Jan 30, 2010

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