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Notes on Contributors

Notes on Contributors MATHIES G. AARHUS is a lecturer at the University of Southern Denmark where he teaches British and American literature and culture. His research interests include the avant-garde, affect theory, class, and poetics. DANIELA AGOSTINHO is a postdoctoral fellow at the Department of Arts and Cultural Studies at the University of Copenhagen, where she is affiliated with the Uncertain Archives research group. She is co-editor of the volume Panic and Mourning: The Cultural Work of Trauma (2012). Her main areas of interest are cultural theory, visual culture, film and moving image studies, media and feminist theory. She currently works on visual governmentality, the politics of data visualization, archival theories of big data, and the visual culture of contemporary surveillance and warfare. CHARLES ALTIERI teaches twentieth century literature and Shakespeare at University of California, Berkeley. His latest books are Wallace Stevens and the Demands of Modernity (2013) and Reckoning with Imagination: Wittgenstein and the Aesthetics of Literary Experience (2015). His essay here is part of a proposed new book linking new materialism to Impressionism and then elaborating how that model cannot handle the "inner sensuousness" pursued by Modernist painting and writing. CHRISTOPHER BREU is Professor of English at Illinois State http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png symploke University of Nebraska Press

Notes on Contributors

symploke , Volume 24 (1) – Jan 8, 2016
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Publisher
University of Nebraska Press
Copyright
Copyright © 2008 symploke.
ISSN
1534-0627
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Abstract

MATHIES G. AARHUS is a lecturer at the University of Southern Denmark where he teaches British and American literature and culture. His research interests include the avant-garde, affect theory, class, and poetics. DANIELA AGOSTINHO is a postdoctoral fellow at the Department of Arts and Cultural Studies at the University of Copenhagen, where she is affiliated with the Uncertain Archives research group. She is co-editor of the volume Panic and Mourning: The Cultural Work of Trauma (2012). Her main areas of interest are cultural theory, visual culture, film and moving image studies, media and feminist theory. She currently works on visual governmentality, the politics of data visualization, archival theories of big data, and the visual culture of contemporary surveillance and warfare. CHARLES ALTIERI teaches twentieth century literature and Shakespeare at University of California, Berkeley. His latest books are Wallace Stevens and the Demands of Modernity (2013) and Reckoning with Imagination: Wittgenstein and the Aesthetics of Literary Experience (2015). His essay here is part of a proposed new book linking new materialism to Impressionism and then elaborating how that model cannot handle the "inner sensuousness" pursued by Modernist painting and writing. CHRISTOPHER BREU is Professor of English at Illinois State

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symploke – University of Nebraska Press

Published: Jan 8, 2016

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