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Lyric Underheard: The Printed Voice of Laura Catherine Redden Searing

Lyric Underheard: The Printed Voice of Laura Catherine Redden Searing thought and language (350). Laura Redden went on to disprove such oralist ideologies about the limitations of sign language education through her life's work as a writer.3 Turning legacy, vol. 30, no. 1, 2013. pp. 62­81. copyright © 2013 the university of nebraska press down a teaching position at msd after graduation, she became the art and literary editor for the Presbyterian, a church-sponsored periodical in St. Louis. By 1860 she was writing pro-Union editorials for the St. Louis Republican under the pseudonym Howard Glyndon. Although a rival Southern-sympathizing newspaper, the State Journal, published a scathing front-page exposé revealing that Howard Glyndon was not a learned statesman but rather a young deaf woman, the attack merely had the effect of making her byline and true identity widely known and accepted throughout Missouri (Jones 5). When war broke out, her status as a journalist and writer continued to rise. She left Missouri in September 1861 to become the official war correspondent for the Republican in Washington, dc, where she thrived. As Jones writes in her biographical introduction to the collection Sweet Bells Jangled: Laura Redden Searing: A Deaf Poet Restored, "During the war Howard Glyndon communicated troop and battlefield http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png Legacy: A Journal of American Women Writers University of Nebraska Press

Lyric Underheard: The Printed Voice of Laura Catherine Redden Searing

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Publisher
University of Nebraska Press
Copyright
Copyright © 2008 The University of Nebraska Press.
ISSN
1534-0643
Publisher site
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Abstract

thought and language (350). Laura Redden went on to disprove such oralist ideologies about the limitations of sign language education through her life's work as a writer.3 Turning legacy, vol. 30, no. 1, 2013. pp. 62­81. copyright © 2013 the university of nebraska press down a teaching position at msd after graduation, she became the art and literary editor for the Presbyterian, a church-sponsored periodical in St. Louis. By 1860 she was writing pro-Union editorials for the St. Louis Republican under the pseudonym Howard Glyndon. Although a rival Southern-sympathizing newspaper, the State Journal, published a scathing front-page exposé revealing that Howard Glyndon was not a learned statesman but rather a young deaf woman, the attack merely had the effect of making her byline and true identity widely known and accepted throughout Missouri (Jones 5). When war broke out, her status as a journalist and writer continued to rise. She left Missouri in September 1861 to become the official war correspondent for the Republican in Washington, dc, where she thrived. As Jones writes in her biographical introduction to the collection Sweet Bells Jangled: Laura Redden Searing: A Deaf Poet Restored, "During the war Howard Glyndon communicated troop and battlefield

Journal

Legacy: A Journal of American Women WritersUniversity of Nebraska Press

Published: Jun 6, 2013

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