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Le Sacrifice de la sirene: "Un coup de des" et la poetique de Stephane Mallarme (review)

Le Sacrifice de la sirene: "Un coup de des" et la poetique de Stephane Mallarme (review) d'Origny Lübecker, Nikolaj. Le Sacrifice de la sirène: "Un coup de dés" et la poétique de Stéphane Mallarmé. Copenhagen: Museum Tusculanum Press, 2003. Pp. 218. isbn 87-7289-825-9 Sayeeda H. Mamoon, Edgewood College Nikolaj d'Origny Lübecker's recent work consists of a two-part study in which the initial chapters offer a sophisticated interpretation of Un Coup de dés jamais n'abolira le hasard while the latter half of the investigation inscribes Mallarmé within a utopian poetic community and delineates a social space for his writing. Loosely unified by the common thread of Mallarméan poetics, the two main divisions of Le Sacrifice de la sirène pursue two different objectives ­ the first part masterfully delivering an aesthetic analysis of Un Coup de dés through intricate textual decoding and intertextual associations, and the second segment carving out a social context for Mallarmé's ideas from selected readings in Divagations. Both parts of Le Sacrifice de la sirène function as comprehensive units, which may be read independently or as complementary pieces. While the Preface to Le Sacrifice de la sirène clearly states the double intent of the study and competently sets up the premise for both inquiries, the first chapter of the work reviews seminal http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png Nineteenth Century French Studies University of Nebraska Press

Le Sacrifice de la sirene: "Un coup de des" et la poetique de Stephane Mallarme (review)

Mamoon, Sayeeda H.
Nineteenth Century French Studies , Volume 33 (3) – Jun 28, 2005
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Publisher
University of Nebraska Press
Copyright
Copyright © 2005 The University of Nebraska Press.
ISSN
1536-0172
Publisher site
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Abstract

d'Origny Lübecker, Nikolaj. Le Sacrifice de la sirène: "Un coup de dés" et la poétique de Stéphane Mallarmé. Copenhagen: Museum Tusculanum Press, 2003. Pp. 218. isbn 87-7289-825-9 Sayeeda H. Mamoon, Edgewood College Nikolaj d'Origny Lübecker's recent work consists of a two-part study in which the initial chapters offer a sophisticated interpretation of Un Coup de dés jamais n'abolira le hasard while the latter half of the investigation inscribes Mallarmé within a utopian poetic community and delineates a social space for his writing. Loosely unified by the common thread of Mallarméan poetics, the two main divisions of Le Sacrifice de la sirène pursue two different objectives ­ the first part masterfully delivering an aesthetic analysis of Un Coup de dés through intricate textual decoding and intertextual associations, and the second segment carving out a social context for Mallarmé's ideas from selected readings in Divagations. Both parts of Le Sacrifice de la sirène function as comprehensive units, which may be read independently or as complementary pieces. While the Preface to Le Sacrifice de la sirène clearly states the double intent of the study and competently sets up the premise for both inquiries, the first chapter of the work reviews seminal

Journal

Nineteenth Century French Studies – University of Nebraska Press

Published: Jun 28, 2005

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