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Feminists Read Stendhal (or do they?)

Feminists Read Stendhal (or do they?) In the United States in particular, Stendhal received less and less attention from literary critics throughout the final quarter of the twentieth century. Many American feminist critics seem to have rejected the author Beauvoir called "ce tendre ami des femmes" in favor of more obviously political writers like Zola or, alternatively, women writers whose works merit rediscovery. Although Stendhal, whose heroines often find self-affirmation through passion, evinced a brand of feminism that may have been insufficiently militant for some late-twentieth-century American feminists, I contend that we still have much to learn from Stendhal's gender-bending representations of both femininity and masculinity. (LGZ) http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png Nineteenth Century French Studies University of Nebraska Press

Feminists Read Stendhal (or do they?)

Nineteenth Century French Studies , Volume 34 (1) – Nov 14, 2005

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Publisher
University of Nebraska Press
Copyright
Copyright © 2005 The University of Nebraska Press.
ISSN
1536-0172
Publisher site
See Article on Publisher Site

Abstract

In the United States in particular, Stendhal received less and less attention from literary critics throughout the final quarter of the twentieth century. Many American feminist critics seem to have rejected the author Beauvoir called "ce tendre ami des femmes" in favor of more obviously political writers like Zola or, alternatively, women writers whose works merit rediscovery. Although Stendhal, whose heroines often find self-affirmation through passion, evinced a brand of feminism that may have been insufficiently militant for some late-twentieth-century American feminists, I contend that we still have much to learn from Stendhal's gender-bending representations of both femininity and masculinity. (LGZ)

Journal

Nineteenth Century French StudiesUniversity of Nebraska Press

Published: Nov 14, 2005

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