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JOURNAL OF AUSTRIAN STUDIES 45:34 from a reading of Ulysses, a poetics that encompasses music, literature, and art, and subsequently connects him to a larger circle of intellectuals melancholically bemoaning the decline of the Occident. Because of its comprehensive approach, Hermann Broch und die Künste will be of interest not only to Broch specialists but also to scholars of European modernity at large and will most certainly spur future research. Jens Klenner Princeton University Irina Djassemy, Die verfolgende Unschuld: Zur Geschichte des autoritären Charakters in der Darstellung von Karl Kraus. Literaturgeschichte in Studien und Quellen, Vol. 17. Vienna: Böhlau Verlag, 2011. 264 pp. The late Irina Djassemy's most recent book picks up where her earlier study, Kulturkritik Bei Karl Kraus und Theodor W. Adorno, left off. Die Verfolgende Unschuld offers, however, a more concentrated analysis of the various ways that the authoritarian character finds its literary analog in the oeuvre of the Viennese satirist Karl Kraus. Djassemy's essential thesis is that Kraus's satirical representations during the first third of the twentieth century--of judges, businessmen, journalists, war profiteers, generals, bureaucrats, and so on-- anticipate not only the political devolvement of Germany and Austria into fascism but also the theories
Journal of Austrian Studies – University of Nebraska Press
Published: Mar 29, 2012
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