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Shakespeare-Asian Theatre Fusions: Globe-"alization" of Naked Masks (Bangkok), Shadowlight (San Francisco), and Setagaya Public Theatre (Tokyo)

Shakespeare-Asian Theatre Fusions: Globe-"alization" of Naked Masks (Bangkok), Shadowlight (San... Abstract: This essay explores historical and cultural features that have contributed to increases in use of Shakespeare by both Asian performers and Western artists who have been deeply affected by Asian theatre models, using the examples of Ninart Boonphothong's Bangkok-based Naked Masks Group, Larry Reed's San Francisco-based, Shadowlight Company, and Nomura Mansai's Tokyo-based Setagaya Pubic Theatre. http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png Asian Theatre Journal University of Hawai'I Press

Shakespeare-Asian Theatre Fusions: Globe-"alization" of Naked Masks (Bangkok), Shadowlight (San Francisco), and Setagaya Public Theatre (Tokyo)

Asian Theatre Journal , Volume 28 (1) – May 28, 2011

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Publisher
University of Hawai'I Press
Copyright
Copyright © University of Hawai'I Press
ISSN
1527-2109
Publisher site
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Abstract

Abstract: This essay explores historical and cultural features that have contributed to increases in use of Shakespeare by both Asian performers and Western artists who have been deeply affected by Asian theatre models, using the examples of Ninart Boonphothong's Bangkok-based Naked Masks Group, Larry Reed's San Francisco-based, Shadowlight Company, and Nomura Mansai's Tokyo-based Setagaya Pubic Theatre.

Journal

Asian Theatre JournalUniversity of Hawai'I Press

Published: May 28, 2011

There are no references for this article.