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Japanese performing arts, especially during the Cold War. Also, more information about audiences--who they were, how they responded--would have been helpful. But these are minor quibbles in an otherwise excellent text. Overall, America's Japan is a fairly advanced exploration of the construction and creation of a performed "Japan" in New York City over the past sixty years. Scholars of inter/cross/trans-cultural performance and audience reception theory will find much of value in the text. David Jortner Baylor University L'EBLOUISSEMENT D'UN REGARD: DÉCOUVERTE ET RÉCEPTION OCCIDENTALES DU THÉÂTRE JAPONAIS DE LA FIN DU MOYEN ÂGE À LA SECONDE GUERRE MONDIALE. (An Enchanted Glance: Discovery and Reception of Japanese Theatre by the West from Late Middle Ages to World War II). By Jean-Jacques Tschudin. Toulouse: Édition Anacharsis, 2014. 400 pp. 27.00; us$29.00. The hype of intercultural and mobility studies in the humanities reverberates in theatre research, promoting new theoretical frames and urging the revision of historical narratives focused on national spaces. A growing number of studies--including those emerging within greater interdisciplinary and international projects, such as for, instance, "Interweaving Theatre Cultures" based in Berlin or "Global Theatre Histories" in Munich--are dedicated to international theatre exchange, circulation, entanglement, and globalization. In this
Asian Theatre Journal – University of Hawai'I Press
Published: Mar 11, 2016
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