Access the full text.
Sign up today, get DeepDyve free for 14 days.
References for this paper are not available at this time. We will be adding them shortly, thank you for your patience.
During the early Turkish republic karagöz shadow theatre's Ottoman patterns were transformed. Reformers attempted to restrict coffeehouses where the art had flourished and developed written texts to replace the improvised practice of the past. They sponsored performances in government-supported community centers and created shows to promote government policies. The efforts meant that an art, which had grown from lower-class satire of the elite was purged of obscene elements, characters were changed to conform to modern ideology, and government control was asserted on what had been a domain of free speech. It is possible that the efforts to restructure the once vibrant art helped hasten its decline.
Asian Theatre Journal – University of Hawai'I Press
Published: Aug 17, 2006
Read and print from thousands of top scholarly journals.
Already have an account? Log in
Bookmark this article. You can see your Bookmarks on your DeepDyve Library.
To save an article, log in first, or sign up for a DeepDyve account if you don’t already have one.
Copy and paste the desired citation format or use the link below to download a file formatted for EndNote
Access the full text.
Sign up today, get DeepDyve free for 14 days.
All DeepDyve websites use cookies to improve your online experience. They were placed on your computer when you launched this website. You can change your cookie settings through your browser.