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The new wired combat in Iraq, alternating in American films between aerial surveillance and camcorder logs or cell-phone video, tends to displace the failed resolutions of plot onto an electronic mediation that not only turns virtual on the spot, but anticipates the post-traumatic flashback as digital playback.

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Digital Fatigue: Imaging War in Recent American Film

Stewart, Garrett
Film Quarterly , Volume 62 (4)
University of California PressJun 1, 2009

More Info

  • Publisher University of California Press
  • Copyright © 2009 by the Regents of the University of California.
  • ISSN 0015-1386
  • eISSN 1533-8630
  • D.O.I. 10.1525/fq.2009.62.4.45
  • Publisher site Get PDF  

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