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Lauren Arrington is a D.Phil. candidate in English at the University of Oxford. Her thesis is an analysis of the relationship between the early Irish Free State's subsidy of the Abbey Theatre and cases of censorship. She holds a B.A. (Honors) in English from Carson-Newman College, Jefferson City, Tennessee, and an M.A. (Honors) in Anglo-Irish literature and drama from University College Dublin. She is from Levy County, Florida. Murray Biggs has been full-time adjunct associate professor of English and theater studies at Yale since 1986, where he teaches both dramatic literature and theater practice. His interests lie chiefly in the English Renaissance and in modern English-language drama: British, Irish, North American, and Commonwealth. He has directed about forty plays, including Pygmalion and Caesar and Cleopatra, and published many essays, especially on Shakespeare in performance. In July 2007 he gave a paper to the International Shaw Symposium on The Philanderer and its original last act. Brigitte Bogar holds degrees in music and in theater science and dramaturgy from Copenhagen University. She has extensive practical experience as a dramaturge and as a production manager at the Royal Danish Theatre and at other theaters in Denmark and in Canada, as well
SHAW The Annual of Bernard Shaw Studies – Penn State University Press
Published: Dec 24, 2008
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