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The international keyboard

The international keyboard Reports drinks reception hosted by Ashgate Publishing, marking the Dan Tidhar launch of the Ashgate Historical Keyboard Series, co-edited by David J.  Smith and Andrew Woolley. The first volume e in Th ternational keyboard in the series, Interpreting Historical Keyboard Music, will The first International Conference on Historical Keyboarin d clude the proceedings from ICHKM 2011. The evening’s Music (ICHKM 2011, see Early Music, xxxix/3 (2011), concert, a captivating rendition of works fP ro arm thenia p.477, for a report) set a high standard to follow. Timely, and Parthenia In-Violata performed by Catalina Vicens substantial, and appropriately located in and around th(v e irginals and harpsichord) and Christoph Prendl (viol), combined Russell and Mirrey collections at Edinburgh launched two of the conference’s sub-them Pes: arthenia’s University, it made for an excellent start to a fruitful series, 400th anniversary, and accompanied keyboard pieces. and expectations from the succeeding conference were The main conference theme itself, ‘The keyboard and its accordingly high. role in the internationalisation of music 1600–1800’, was The challenge was fully met by ICHKM 2013, ‘The approached from many different angles, including di- ssemi Keyboard and its Role in the Internationalisation of Music nation and reception of repertory, transcription, pedagogy, http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png Early Music Oxford University Press

The international keyboard

Tidhar, Dan
Early Music , Volume 41 (4) – Nov 1, 2013
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Publisher
Oxford University Press
Copyright
© The Author 2013. Published by Oxford University Press. All rights reserved.
Subject
Report
ISSN
0306-1078
eISSN
1741-7260
DOI
10.1093/em/cat113
Publisher site
See Article on Publisher Site

Abstract

Reports drinks reception hosted by Ashgate Publishing, marking the Dan Tidhar launch of the Ashgate Historical Keyboard Series, co-edited by David J.  Smith and Andrew Woolley. The first volume e in Th ternational keyboard in the series, Interpreting Historical Keyboard Music, will The first International Conference on Historical Keyboarin d clude the proceedings from ICHKM 2011. The evening’s Music (ICHKM 2011, see Early Music, xxxix/3 (2011), concert, a captivating rendition of works fP ro arm thenia p.477, for a report) set a high standard to follow. Timely, and Parthenia In-Violata performed by Catalina Vicens substantial, and appropriately located in and around th(v e irginals and harpsichord) and Christoph Prendl (viol), combined Russell and Mirrey collections at Edinburgh launched two of the conference’s sub-them Pes: arthenia’s University, it made for an excellent start to a fruitful series, 400th anniversary, and accompanied keyboard pieces. and expectations from the succeeding conference were The main conference theme itself, ‘The keyboard and its accordingly high. role in the internationalisation of music 1600–1800’, was The challenge was fully met by ICHKM 2013, ‘The approached from many different angles, including di- ssemi Keyboard and its Role in the Internationalisation of Music nation and reception of repertory, transcription, pedagogy,

Journal

Early Music – Oxford University Press

Published: Nov 1, 2013

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