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By subverting the visual, Beth Gill's choreography opens danced performance to a broader field of sensation. Through this feminist strategy, her piece revisits foundational questions about the politics of perception and dance production.

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The Sensation of Waiting: Beth Gill's what it looks like, what it feels like

Lipton, Gillian
TDR/The Drama Review , Volume 53 (4)
MIT PressNov 1, 2009

More Info

  • Publisher MIT Press
  • Copyright © 2009 New York University and the Massachusetts Institute of Technology
  • Subject Critical Acts
  • ISSN 1054-2043
  • eISSN 1531-4715
  • D.O.I. 10.1162/dram.2009.53.4.171
  • Publisher site Get PDF  

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