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of disease and decay, or ‘I Can Understand’ with its imagery of brute force (pp. 40–1). Ngongkum’s arguments about Brutus’s travel poems are noteworthy. She argues that in Brutus’s hands the travelogue becomes ...
identification in order to participate in this cultural performance’ (pp. 136, 142). Further, its placement within charged networks of activism, community, and consciousness-raising to change the perception ...
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