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Journals Journal of British Cinema and Television Volume 8 Issue 2

Barry Hines has observed: ‘My political viewpoint is the mainspring of my work. It fuels my energy’ (2009: v). Such a comment will not surprise readers of Hines’ novel A Kestrel for a Knave and viewers of its film version Kes (1969). This was the first of many films written by Hines and directed by Ken Loach which include The Price of Coal (BBC, 1977), The Gamekeeper (ATV, 1980) and the feature film Looks and Smiles (1981). Among Hines’ other works are Threads (BBC, 1984), his television film about a nuclear strike against Britain, as well as the BBC Plays for Today Billy’s Last Stand (1971), about the coal industry, and Speech Day (1973), about school-leavers. Given this preoccupation with politics as they affect everyday life, and the fact that all of Hines’ work is set in his native South Yorkshire among its working-class communities, it seems surprising that none of these plays is about the miners’ strike of 1984–5. The Price of Coal, a pair of Plays for Today, is set in 1977; with hindsight it is fittingly prophetic that in the first play, Meet the People, the daubing of Arthur Scargill’s name on a wall threatens

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Barry Hines' Unproduced Miners' Strike Plays: An Archival Study

Vice, Sue
Journal of British Cinema and Television , Volume 8 (2): 204
Edinburgh University Press – Aug 1, 2011

More Info
  • Publisher Edinburgh University Press
  • Copyright ©© Edinburgh University Press 2011
  • Subject Media Studies
  • ISSN 1743-4521
  • eISSN 1755-1714
  • D.O.I. 10.3366/jbctv.2011.0028
  • Publisher site Get PDF  

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