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References (29)
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The video has been screened at various film festivals and is now distributed by Frameline -
(1989)
Generations and Cultural Memories, -
Jill Dolan (2001)
Performance, Utopia, and the "Utopian Performative"Theatre Journal, 53
-
(1990)
The prime example of such radical ACT UP historiography is Douglas Crimp and Adam Rolston -
(1994)
De-moralizing Representations of AIDS -
(2000)
who spearheaded the project, also curated the corresponding screening series Fever in the Archive at the Solomon R -
Certainly, these practices were influenced by earlier uses of the video portapak in 1960s and 1970s activism and consciousness-raising -
(1995)
UP AIDS activist video collectives included Testing the Limits and WAVE (Women's AIDS Video Enterprise). For more information about these and other groups, see Alexandra Juhasz -
(1999)
Basic, 2001), xvi; Boym picks up this argument again on page 54. See also Leo Spitzer -
(2003)
Touching Feeling: Affect, Pedagogy, Performativity (Durham, NC -
Deborah Gould (2002)
Life During Wartime: Emotions and The Development of Act Up, 7
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A. Cvetkovich (2003)
An Archive of Feelings: Trauma, Sexuality, and Lesbian Public Cultures -
Michelangelo Signorile (1993)
Queer in America: Sex, the Media, and the Closets of Power -
Aijazuddin Ahmad (1993)
The Politics of NostalgiaInternational Journal of Human Resource Management, 22
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(1980)
Todd Gitlin similarly commented on generational differences in the anti -Vietnam War student movement of the late 1960s, which shifted from preppy to hippie -
My NYU colleague Ragan Rhyne discovered such receipts among the ACT UP/New York materials at the New York Public Library -
(2004)
Urban Protest and Community Building in the Era of Globalization (New York: Verso, 2002) -
(2002)
For a discussion of activism in recent queer radical movements, see Matt Bernstein Sycamore -
Patricia White (1999)
Introduction: On Exhibitionism, In "Queer Publicity: A Dossier On Lesbian And Gay Film Festivals", 5
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Marita Sturken (1995)
The Politics of Video Memory: Electronic Erasures and Inscriptions -
K. Newton (1997)
Fredric Jameson: ‘Postmodernism, or the Cultural Logic of Late Capitalism’ -
(2004)
Beyond Shame: Reclaiming the Abandoned History of Radical Gay Sexuality (Boston: Beacon -
Michael Barrett, Charles Boudreau, Suzy Capo, Stephen Gutwillig, N. Heidenreich, Liza Johnson, Giampaolo Marzi, Dean Otto, Brian Robinson, Katharine Setzer, Chris Straayer, Tom Waugh (2005)
Queer Film and Video Festival Forum, Take One: Curators Speak OutGLQ: A Journal of Lesbian and Gay Studies, 11
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P. Harper (1997)
Gay male identities, personal privacy, and relations of public exchange : Notes on directions for queer critiqueSocial Text
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(2005)
ACT UP: An Oral History,” public event sponsored by the New York University Center for the Study of Gender and Sexuality and Fales Library -
(1999)
For an inquiry into the phenomenology and social effects of radical documentary films, see -
S. Foster (2003)
Choreographies of ProtestTheatre Journal, 55
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(1995)
Gilbert Elbaz's dissertation on ACT UP/New York argues that it was a movement both to fight negligent policies on AIDS and to create an egalitarian community. Cited in Stanley Aronowitz -
Roger Hallas (2003)
AIDS and Gay CinephiliaCamera Obscura, 18
- Publisher
- Duke University Press
- Copyright
- Copyright 2006 by Duke University Press
- ISSN
- 1064-2684
- eISSN
- 1527-9375
- DOI
- 10.1215/10642684-12-2-303
- Publisher site
- See Article on Publisher Site
Abstract
GLQ, Vol. GLQ 12:2 1, pp. 000–000 997 Paul EeNam Park Hagland pp. 303–317 © Duke University Press Copyright © 2006 by Duke University Press While post–baby boomer leftists have long idealized the Vietnam protests they A comprehensive collection of ACT UP and other AIDS videotapes has been preserved as part of the Royal S. Marks special collection at the New York Public Library.4 James Wentzy, a longtime ACT UP/New York member and video artist, worked on the project by remastering the tapes; he subsequently edited a special ACT UP fifteenth-anniversary compilation video titled Fight Back, Fight AIDS: Fifteen Years of ACT UP (2002) for MIX: The New York Lesbian and Gay Experimental Film/Video Festival. Wentzy’s seventy-five-minute video culled highlights from video recordings of meetings and actions, from 1987 to 2002.5 A history of activism specifically rather than of AIDS more generally, Fight Back, Fight AIDS is composed of powerful moments intended for an audience familiar with the group and its history. Without voice-over narration or text for contextual overviews, the video plays almost like footage direct from the activist front with only occasional titles specifying the events’ dates and locations. The documentation suggests the social and personal
Journal
GLQ: A Journal of Lesbian and Gay Studies – Duke University Press
Published: Jan 1, 2006